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The roots of
the Indian music can be traced back to the Vedic
period, when the celestial creator of the universe,
Brahma was said to have handed down music to
the world through his son, sage Narada, to usher
in an era of peace and solace among humanity.
Music is one of the oldest forms of art, which
has been reflecting the richness of Indian culture
and tradition throughout ages. Right from the
evolution of music, there have been many developmental
phases in its path, which have redefined the
creative enormity and infiniteness of the art.
New historical and cultural research has shown
that Indian music has progressed through a very
intricate communication between different people
practising different traditions and cultures.
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The amalgamation of the musical styles of various
races in the country displays the ethnic diversity
of India, which is found nowhere in any other nation.
The earliest form of music was used during the Vedic
period as sacred hymns, which were chanted through
a method called "Ek Swari Gaayana," meaning
singing with the help of one note. The single note
hymns gradually developed to the "Gatha Gaayana"
method of singing with double notes. Eventually,
the Vedic chants of the single note, double notes,
and such other systems gave way to the initiation
of the seven note system called "Saptaswara".
Modern studies of the Vedic period reveal that music
had been regarded as a highly previleged art form
in every household, as it had been handed down to
them by the Gods themselves. In this context, the
glory of the Gupta period reverberates throughout
the history of Indian music as one of the most important
contributors to the development of Indian music.
The evolution of modern-day Indian music, or "Sangeet,"
as it is popularly known in the country, has simplified
the art form through various innovations. Indian
music has essentially been known to be performed
through three modes - vocal music, instrumental
music, and dance. All the three mediums of music
are prevalent in the two prominent kinds of Indian
classical music, namely the North Indian classical
music or the Hindustani classical music, and the
classical music of South India or the Carnatic music,
as well as other folk music.
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| Hindustani
Music : |
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The history of Hindustani
classical music is said to have originated during
the period of the Indus Valley Civilization,
although the only evidencial support to the
claim are the recovery of the famous bronze
dancing girl from that period and the customary
worshipping of Rudra or Shiva, the God of dance,
drama, and music. After the decline of the Indus
Valley Civilization came the stage of the Vedic
music, in which sacrifices and prayers were
made to the Gods through hymns and chants in
musical style. Moreover, music was one of the
key factors in the creation of two of the greatest
of Indian epics, the Ramayana and the Mahabharata.
Music in India, from the transitional period
to the modern age has witnessed tremendous development
in style and methodology. Great musicians in
the history of Indian music, such as Kalidasa,
Tansen, Amir khusrou, etc. have contributed
immensely to the progress of Indian music, the
reputation of which is still being maintained
in the modern era by musical stalwarts like
Pandit Ravi Shankar, Bhimsen Gururaj Joshi,
Pandit Jasraj, Prabha Atre, Sultan Khan, Zakeer
Hussain, and so on.
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| Carnatic
Music : |
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The south Indian form of
Indian classical music is known as Carnatic
music, and is a musical style performed with
the company of several musical instruments,
such as violin, veena, mridangam, etc. Carnatic
music is prevalent in the south Indian states
of Tamil Nadu, kerala, Andhra pradesh and Karnataka.
Carnatic music follows a pattern of mainly devotional
themes, most of which are sung in the praise
of Hindu deities. The prime components of Carnatic
music follows the same pattern as any other
Indian classical music, which are the Raga,
implying the melody part, and the Tala, denoting
the rhythmic part. Musical instruments are an
intrinsic part of Carnatic music, and have
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strengthened the foundation
of this art form at the hands of immaculate
musicians like T.R. Mahalingam, M. Chandrasekaran,
and so on. Some of the proponents of Carnatic
classical music have created waves in the international
circuit through their immortal compositions
and have been bestowed with several awards and
commemorations, thus making them legends in
the field. Some of these doyens of carnatic
music include the names of M.S. Subbulakshmi,
Madurai Mani Iyer, M.S. Balasubramanya Sarma,
and so on.
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